Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 9
... color to cross racial lines or boundaries , he or she may then escape the yoke of white supremacist oppression and domination . In Passing and the Fictions of Identity ( 1996 ) , Elaine Ginsberg associates the term passing with ...
... color to cross racial lines or boundaries , he or she may then escape the yoke of white supremacist oppression and domination . In Passing and the Fictions of Identity ( 1996 ) , Elaine Ginsberg associates the term passing with ...
Pagina 39
... color , " saturated in stereotype and caricature . And yet its falseness does not preclude its realness for many Americans who have come to know these caricatures as true within the black community . These stereotypes continue to inform ...
... color , " saturated in stereotype and caricature . And yet its falseness does not preclude its realness for many Americans who have come to know these caricatures as true within the black community . These stereotypes continue to inform ...
Pagina 53
... color . " 11 Ben Cotton , a minstrel performer who actually observed plantation performance practices claimed that " they ( the enslaved Africans he was observing ) did not quite understand me . I was the first white man they had seen ...
... color . " 11 Ben Cotton , a minstrel performer who actually observed plantation performance practices claimed that " they ( the enslaved Africans he was observing ) did not quite understand me . I was the first white man they had seen ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York