Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 9
... color to cross racial lines or boundaries , he or she may then escape the yoke of white supremacist oppression and domination . In Passing and the Fictions of Identity ( 1996 ) , Elaine Ginsberg associates the term passing with ...
... color to cross racial lines or boundaries , he or she may then escape the yoke of white supremacist oppression and domination . In Passing and the Fictions of Identity ( 1996 ) , Elaine Ginsberg associates the term passing with ...
Pagina 39
... color , " saturated in stereotype and caricature . And yet its falseness does not preclude its realness for many Americans who have come to know these caricatures as true within the black community . These stereotypes continue to inform ...
... color , " saturated in stereotype and caricature . And yet its falseness does not preclude its realness for many Americans who have come to know these caricatures as true within the black community . These stereotypes continue to inform ...
Pagina 53
... color . " 11 Ben Cotton , a minstrel performer who actually observed plantation performance practices claimed that " they ( the enslaved Africans he was observing ) did not quite understand me . I was the first white man they had seen ...
... color . " 11 Ben Cotton , a minstrel performer who actually observed plantation performance practices claimed that " they ( the enslaved Africans he was observing ) did not quite understand me . I was the first white man they had seen ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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