Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 3
... concerns African American music , some have suggested I forgo my interests in historical musicology in favor of a culturally based ethnomusicological approach . While ethnomusicological frameworks are useful , they will not work for me ...
... concerns African American music , some have suggested I forgo my interests in historical musicology in favor of a culturally based ethnomusicological approach . While ethnomusicological frameworks are useful , they will not work for me ...
Pagina 5
... concerned itself with identifying and / or rectifying pejorative depictions that were used to represent African Americans on stage.5 The sheer number of essays and assorted 3 See " Selection of Minstrelsy Memorabilia " in Inside the ...
... concerned itself with identifying and / or rectifying pejorative depictions that were used to represent African Americans on stage.5 The sheer number of essays and assorted 3 See " Selection of Minstrelsy Memorabilia " in Inside the ...
Pagina 19
... concerned , it is in these symbolic gestures that he also refigured himself as an American , washing off his Jewishness and ergo his black identity so that he might be remade white in the eyes of larger society . Indeed , Gershwin's ...
... concerned , it is in these symbolic gestures that he also refigured himself as an American , washing off his Jewishness and ergo his black identity so that he might be remade white in the eyes of larger society . Indeed , Gershwin's ...
Inhoudsopgave
in the American Racial Identity | 4 |
Chapter | 19 |
the American Minstrel and Global Signifier | 49 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York