Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 24
... considered the music of Afro - Americans ) , they simply became more American , reacting strongly against highbrow cultural distinctions of a European classical music canon while simultaneously intensifying the belief in a nationalist ...
... considered the music of Afro - Americans ) , they simply became more American , reacting strongly against highbrow cultural distinctions of a European classical music canon while simultaneously intensifying the belief in a nationalist ...
Pagina 33
... considered lightly . In “ Blackface , White Noise , " Michael Rogin outlines the complexities of developing a racial identity in America by alluding to a kind of Du Boisan double - consciousness critique , a reversal of the " American ...
... considered lightly . In “ Blackface , White Noise , " Michael Rogin outlines the complexities of developing a racial identity in America by alluding to a kind of Du Boisan double - consciousness critique , a reversal of the " American ...
Pagina 34
... considered , immutably and permanently , a Y who is therefore merely " passing for , " " posing , " or " masquerading as " what he or she is " not really " : an X. Hence a person who passes - or , put differently , an XY who describes ...
... considered , immutably and permanently , a Y who is therefore merely " passing for , " " posing , " or " masquerading as " what he or she is " not really " : an X. Hence a person who passes - or , put differently , an XY who describes ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York