Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 18
... contexts , theirs is the contested space of early " race " music - early jazz , that is — a context which has allowed them to rise to the distinction they hold so firmly today . Specifically , it is their free play among the ambiguities ...
... contexts , theirs is the contested space of early " race " music - early jazz , that is — a context which has allowed them to rise to the distinction they hold so firmly today . Specifically , it is their free play among the ambiguities ...
Pagina 26
... context . This dearth speaks clearly to the trend in music to critically study only those works that are indeed unpopular and isolated — precisely as if a work's popularity alone renders it academically barren . My view holds that the ...
... context . This dearth speaks clearly to the trend in music to critically study only those works that are indeed unpopular and isolated — precisely as if a work's popularity alone renders it academically barren . My view holds that the ...
Pagina 59
... context of ' otherness . ' Both Mickey and the blackface minstrel configurations simultaneously represent " who we are " and " who we are not . " One of the more compelling modern articulations of this logic conjoins the notion of ...
... context of ' otherness . ' Both Mickey and the blackface minstrel configurations simultaneously represent " who we are " and " who we are not . " One of the more compelling modern articulations of this logic conjoins the notion of ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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