Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 4
... continue to resurface - often in the strangest places.2 Because of their tenacity , and especially because of their latent energy , 1 Michelle Shocked , Liner Notes to “ Arkansas Traveler , " PolyGram Records , Inc , 1992 . 2 One need ...
... continue to resurface - often in the strangest places.2 Because of their tenacity , and especially because of their latent energy , 1 Michelle Shocked , Liner Notes to “ Arkansas Traveler , " PolyGram Records , Inc , 1992 . 2 One need ...
Pagina 23
... continue to plague the profession even today.3 1 Examples of eighteenth - century Western imitations of Janissary band music include singspiel such as Mozart's " Die Entfügrung aus dem Serail " ( 1781-2 ) , and Haydn's Symphony No. 100 ...
... continue to plague the profession even today.3 1 Examples of eighteenth - century Western imitations of Janissary band music include singspiel such as Mozart's " Die Entfügrung aus dem Serail " ( 1781-2 ) , and Haydn's Symphony No. 100 ...
Pagina 39
... continue to inform our perceptions of American blackness even today . In particular , musicologists who study the Gershwin legacy have been slow to analyze the stereotyping in Porgy , absolving themselves from this daunting task by ...
... continue to inform our perceptions of American blackness even today . In particular , musicologists who study the Gershwin legacy have been slow to analyze the stereotyping in Porgy , absolving themselves from this daunting task by ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York