Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 29
... difference in American culture . Moreover , both realized their intrinsic sameness and fondness for the culture they were exploiting . A major difference , however , is striking : It is in these symbolic gestures that Gershwin also ...
... difference in American culture . Moreover , both realized their intrinsic sameness and fondness for the culture they were exploiting . A major difference , however , is striking : It is in these symbolic gestures that Gershwin also ...
Pagina 35
... differences between " white " and " black " races is invalid . As in many instances of modern society , however ... Difference , ed . Henry Louis Gates , Jr. ( Chicago : University of Chicago Press , 1986 ) , 29 , as quoted in Du ...
... differences between " white " and " black " races is invalid . As in many instances of modern society , however ... Difference , ed . Henry Louis Gates , Jr. ( Chicago : University of Chicago Press , 1986 ) , 29 , as quoted in Du ...
Pagina 63
... difference that are cross- culturally dispersed through film , radio and graphic artistry . For those who come into contact with his image he leaves the desire to translate his ambiguous messages , whether they reflect racialized ...
... difference that are cross- culturally dispersed through film , radio and graphic artistry . For those who come into contact with his image he leaves the desire to translate his ambiguous messages , whether they reflect racialized ...
Inhoudsopgave
in the American Racial Identity | 4 |
Chapter | 19 |
the American Minstrel and Global Signifier | 49 |
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Veelvoorkomende woorden en zinsdelen
African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York