Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 6
... discussed , it fails on all counts to centralize music : to directly address music's power to resonate across racial ... discuss blackface minstrelsy in terms of its sonic implications : to examine ways in which this performative genre ...
... discussed , it fails on all counts to centralize music : to directly address music's power to resonate across racial ... discuss blackface minstrelsy in terms of its sonic implications : to examine ways in which this performative genre ...
Pagina 25
... discuss further . On the whole , music historians have dismissed the Gershwin oeuvre as musical chaff . Too popular - and therefore unfit for serious interpretive analysis , they add fodder to the argument that a work's popular ...
... discuss further . On the whole , music historians have dismissed the Gershwin oeuvre as musical chaff . Too popular - and therefore unfit for serious interpretive analysis , they add fodder to the argument that a work's popular ...
Pagina 50
... discuss him in a way that engages his musical and racial ambiguity both within America and abroad.4 This essay analyzes multiple aspects of Mickey's national and transnational importance , racially and otherwise . Drawing on connections ...
... discuss him in a way that engages his musical and racial ambiguity both within America and abroad.4 This essay analyzes multiple aspects of Mickey's national and transnational importance , racially and otherwise . Drawing on connections ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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Veelvoorkomende woorden en zinsdelen
African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York