Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 24
... distinctions of a European classical music canon while simultaneously intensifying the belief in a nationalist and racialized sound in music . To my mind , no person better illustrates this point than the American composer George ...
... distinctions of a European classical music canon while simultaneously intensifying the belief in a nationalist and racialized sound in music . To my mind , no person better illustrates this point than the American composer George ...
Pagina 29
... distinction is that nineteenth - century minstrels donned the blackface in their performances whereas Gershwin did not . More speculative , however , are the motivations concealed behind one's immersion in blackness . Indeed for the ...
... distinction is that nineteenth - century minstrels donned the blackface in their performances whereas Gershwin did not . More speculative , however , are the motivations concealed behind one's immersion in blackness . Indeed for the ...
Pagina 62
... distinctions , a paradoxical cleaving from blackness as well as a cleaving to it , a celebration of negrophilia in addition to a repulsion in negrophobia . 29 Walter Benjamin , " The Task of the Translator , " Illuminations ( New York ...
... distinctions , a paradoxical cleaving from blackness as well as a cleaving to it , a celebration of negrophilia in addition to a repulsion in negrophobia . 29 Walter Benjamin , " The Task of the Translator , " Illuminations ( New York ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York