Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 24
... distinctions of a European classical music canon while simultaneously intensifying the belief in a nationalist and racialized sound in music . To my mind , no person better illustrates this point than the American composer George ...
... distinctions of a European classical music canon while simultaneously intensifying the belief in a nationalist and racialized sound in music . To my mind , no person better illustrates this point than the American composer George ...
Pagina 29
... distinction is that nineteenth - century minstrels donned the blackface in their performances whereas Gershwin did not . More speculative , however , are the motivations concealed behind one's immersion in blackness . Indeed for the ...
... distinction is that nineteenth - century minstrels donned the blackface in their performances whereas Gershwin did not . More speculative , however , are the motivations concealed behind one's immersion in blackness . Indeed for the ...
Pagina 62
... distinctions , a paradoxical cleaving from blackness as well as a cleaving to it , a celebration of negrophilia in addition to a repulsion in negrophobia . 29 Walter Benjamin , " The Task of the Translator , " Illuminations ( New York ...
... distinctions , a paradoxical cleaving from blackness as well as a cleaving to it , a celebration of negrophilia in addition to a repulsion in negrophobia . 29 Walter Benjamin , " The Task of the Translator , " Illuminations ( New York ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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