Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 5
... early twentieth century American music as signifying racialized characteristics . How does one envision " blackness " and " whiteness " presented sonically ? In part , blackface performers with their parodic displays of staged blackness ...
... early twentieth century American music as signifying racialized characteristics . How does one envision " blackness " and " whiteness " presented sonically ? In part , blackface performers with their parodic displays of staged blackness ...
Pagina 27
... twentieth - century historical and literary discourse of passing . Passing , as I use the term , is wholly bound to ... early twentieth - century European immigrants to America chose to " pass " themselves off or reincarnate themselves ...
... twentieth - century historical and literary discourse of passing . Passing , as I use the term , is wholly bound to ... early twentieth - century European immigrants to America chose to " pass " themselves off or reincarnate themselves ...
Pagina 29
... century minstrels donned the blackface in their performances whereas Gershwin did not . More speculative , however ... early twenties . Early twentieth - century New York , and especially Harlem , is imbued with the distinction of being ...
... century minstrels donned the blackface in their performances whereas Gershwin did not . More speculative , however ... early twenties . Early twentieth - century New York , and especially Harlem , is imbued with the distinction of being ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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