Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 9
... enabled white men to pass temporarily for black ; later in the century in what can only be recognized as an ironic shift of social paradigms , the blackface then enabled black men to pass as well , that is , to pass for white men ...
... enabled white men to pass temporarily for black ; later in the century in what can only be recognized as an ironic shift of social paradigms , the blackface then enabled black men to pass as well , that is , to pass for white men ...
Pagina 28
... enabled white men to temporarily pass for colored in a way not possible in the nineteenth century . Furthermore , without the need to flash their skin , the act of passing was made that much more significant for men of the twentieth ...
... enabled white men to temporarily pass for colored in a way not possible in the nineteenth century . Furthermore , without the need to flash their skin , the act of passing was made that much more significant for men of the twentieth ...
Pagina 47
... enabled the young composer to freely translate between both white and black worlds . Or maybe Gershwin felt that Tin Pan Alley was one secure place where an American Jew could , for a while , exert influence on top rather than on the ...
... enabled the young composer to freely translate between both white and black worlds . Or maybe Gershwin felt that Tin Pan Alley was one secure place where an American Jew could , for a while , exert influence on top rather than on the ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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