Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
Vanuit het boek
Resultaten 1-3 van 4
Pagina 9
... escape the yoke of white supremacist oppression and domination . In Passing and the Fictions of Identity ( 1996 ) , Elaine Ginsberg associates the term passing with " trespassing , " a word which highlights above all the contradiction ...
... escape the yoke of white supremacist oppression and domination . In Passing and the Fictions of Identity ( 1996 ) , Elaine Ginsberg associates the term passing with " trespassing , " a word which highlights above all the contradiction ...
Pagina 10
... Escape of William and Ellen Craft from Slavery , ( Miami : Mnemosyne Publishing , 1969 ) and Richard Hildreth's novel , first published anonymously as The Slave ; or Memoirs of Archy Moore . 2 vol . ( Boston : John H. Eastburn , printer ...
... Escape of William and Ellen Craft from Slavery , ( Miami : Mnemosyne Publishing , 1969 ) and Richard Hildreth's novel , first published anonymously as The Slave ; or Memoirs of Archy Moore . 2 vol . ( Boston : John H. Eastburn , printer ...
Pagina 79
... Escape of William and Elen Craft from Slavery . Miami : Mnemosyne Publishing , 1969 . Crawford , Richard . " George Gershwin . " New Grove Dictionary of American Music . 1986 ed : 199-211 . --- . " Gershwin's Reputation : A Note on ...
... Escape of William and Elen Craft from Slavery . Miami : Mnemosyne Publishing , 1969 . Crawford , Richard . " George Gershwin . " New Grove Dictionary of American Music . 1986 ed : 199-211 . --- . " Gershwin's Reputation : A Note on ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
1 andere gedeelten niet getoond
Veelvoorkomende woorden en zinsdelen
African American ambiguous American culture American music American popular music analysis appear appropriate argue articulated aspects attempt audiences authentic became become blackface minstrelsy cartoon character characterizations Chicago classical considered context continues copy critical cultural Dan Emmett dance desire difference discourse discuss Disney distinctions early Ellison enabled essay exist experience face fact fascination figures framework George Gershwin Gershwin gestures global Harlem helped identity ideology imitation interest interpretation Ironically jazz Jazz Age Jewish Jews legacy means Mickey Mouse Mickey's minstrel show minstrel tradition musicological Negro never nineteenth nineteenth-century blackface notions opera parody passing perceived performers phenomenon play popular music Porgy and Bess present primitive production race racial Renaissance representation represents Roediger seems sense significant slave social society song sound South speaks stage stereotypes story suggests transformation turn twentieth century University Press Western writes York