Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 3
... ethnomusicology with the historicity of traditional musicology . In doing this , I hope to forge a new territory that helps obliterate fixed color distinctions of race while simultaneously showing how sound in Western cultures has been ...
... ethnomusicology with the historicity of traditional musicology . In doing this , I hope to forge a new territory that helps obliterate fixed color distinctions of race while simultaneously showing how sound in Western cultures has been ...
Pagina 68
... Ethnomusicology , " Philip Bohlman asserts that crucial issues of 41 Christopher Herbert , " Superstitions of Culture , " Culture and Anomie : Ethnographic Imagination in the Nineteenth Century ( Chicago : University of Chicago Press ...
... Ethnomusicology , " Philip Bohlman asserts that crucial issues of 41 Christopher Herbert , " Superstitions of Culture , " Culture and Anomie : Ethnographic Imagination in the Nineteenth Century ( Chicago : University of Chicago Press ...
Pagina 69
... ethnomusicology ( and now new musicology ) should center primarily around aspects of presenting musical cultures as a mode of critical inquiry . Astutely , he suggests that the cultures we study be " represent [ ed ] " 45 rather than ...
... ethnomusicology ( and now new musicology ) should center primarily around aspects of presenting musical cultures as a mode of critical inquiry . Astutely , he suggests that the cultures we study be " represent [ ed ] " 45 rather than ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York