Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 3
... examining the cultural perspectives that inform music . Yet I desire to map race and cultural studies onto American music studies by examining how nineteenth - century performances of blackface minstrelsy affect the American , indeed ...
... examining the cultural perspectives that inform music . Yet I desire to map race and cultural studies onto American music studies by examining how nineteenth - century performances of blackface minstrelsy affect the American , indeed ...
Pagina 56
... examined through the actions of our cartoon caper , Mickey Mouse . Historically situated , Mickey Mouse's image has come to represent the archetypal hero , the Everyman , the all - around nice guy . Like the blackface minstrels of the ...
... examined through the actions of our cartoon caper , Mickey Mouse . Historically situated , Mickey Mouse's image has come to represent the archetypal hero , the Everyman , the all - around nice guy . Like the blackface minstrels of the ...
Pagina 73
... examined the ways that nineteenth - century racial configurations influenced the constructions of two major figures in our American identity . After some serious thought , I latched on to the discourse of passing as an informative ...
... examined the ways that nineteenth - century racial configurations influenced the constructions of two major figures in our American identity . After some serious thought , I latched on to the discourse of passing as an informative ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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Veelvoorkomende woorden en zinsdelen
African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York