Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 25
... figures most prominently in his grand opera Porgy and Bess ( 1935 ) . It is this piece that I should like to discuss further . On the whole , music historians have dismissed the Gershwin oeuvre as musical chaff . Too popular - and ...
... figures most prominently in his grand opera Porgy and Bess ( 1935 ) . It is this piece that I should like to discuss further . On the whole , music historians have dismissed the Gershwin oeuvre as musical chaff . Too popular - and ...
Pagina 71
... figure and cross - cultural commodity , Mickey represents more than his appearance , he holds a loaded image . Like a " new god , " Mickey represents a sign of the times , there's a lot of the mouse in us . Mickey represents masking at ...
... figure and cross - cultural commodity , Mickey represents more than his appearance , he holds a loaded image . Like a " new god , " Mickey represents a sign of the times , there's a lot of the mouse in us . Mickey represents masking at ...
Pagina 75
... figures who are dissimilar in concept yet fashioned from the same historical framework , I sought to expand the epistemological base of how we might study musically - historical figures . For too long , musicology has been taught as if ...
... figures who are dissimilar in concept yet fashioned from the same historical framework , I sought to expand the epistemological base of how we might study musically - historical figures . For too long , musicology has been taught as if ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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