Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
Vanuit het boek
Resultaten 1-3 van 8
Pagina 21
... idea that passing , or more specifically the ability to cross racial barriers , is not a one- way current . Through the phenomenon of blackface minstrelsy and beyond , passing enabled white men and the audiences that watched them the ...
... idea that passing , or more specifically the ability to cross racial barriers , is not a one- way current . Through the phenomenon of blackface minstrelsy and beyond , passing enabled white men and the audiences that watched them the ...
Pagina 27
... idea that nineteenth- and early twentieth - century European immigrants to America chose to " pass " themselves off or reincarnate themselves as white Americans . One such way that settlers attempted to reinvent themselves as American ...
... idea that nineteenth- and early twentieth - century European immigrants to America chose to " pass " themselves off or reincarnate themselves as white Americans . One such way that settlers attempted to reinvent themselves as American ...
Pagina 58
... idea completely engulfed me . The wheels turned to the tune of it . By the time my train reached the Midwest , I had dressed my dream mouse in a pair of red velvet pants with two huge pearl buttons , had composed my first scenario , and ...
... idea completely engulfed me . The wheels turned to the tune of it . By the time my train reached the Midwest , I had dressed my dream mouse in a pair of red velvet pants with two huge pearl buttons , had composed my first scenario , and ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
1 andere gedeelten niet getoond
Veelvoorkomende woorden en zinsdelen
African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York