Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 9
... Identity ( 1996 ) , Elaine Ginsberg associates the term passing with " trespassing , " a word which highlights above all the contradiction between exchange and violation , profit and loss that can occur when one attempts such a boundary ...
... Identity ( 1996 ) , Elaine Ginsberg associates the term passing with " trespassing , " a word which highlights above all the contradiction between exchange and violation , profit and loss that can occur when one attempts such a boundary ...
Pagina 33
... identity and the reincarnation of American Jews as “ white ” is not to be considered lightly . In “ Blackface , White Noise , " Michael Rogin outlines the complexities of developing a racial identity in America by alluding to a kind of ...
... identity and the reincarnation of American Jews as “ white ” is not to be considered lightly . In “ Blackface , White Noise , " Michael Rogin outlines the complexities of developing a racial identity in America by alluding to a kind of ...
Pagina 34
... identity . Historically contexted , Gershwin was neither black nor white but indefinite , a " Jew " who remade his identity through blackness to reconstitute himself as " white , " just like the blackface minstrels had done to ...
... identity . Historically contexted , Gershwin was neither black nor white but indefinite , a " Jew " who remade his identity through blackness to reconstitute himself as " white , " just like the blackface minstrels had done to ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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