Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 9
... Identity ( 1996 ) , Elaine Ginsberg associates the term passing with " trespassing , " a word which highlights above all the contradiction between exchange and violation , profit and loss that can occur when one attempts such a boundary ...
... Identity ( 1996 ) , Elaine Ginsberg associates the term passing with " trespassing , " a word which highlights above all the contradiction between exchange and violation , profit and loss that can occur when one attempts such a boundary ...
Pagina 33
... identity and the reincarnation of American Jews as “ white ” is not to be considered lightly . In “ Blackface , White Noise , " Michael Rogin outlines the complexities of developing a racial identity in America by alluding to a kind of ...
... identity and the reincarnation of American Jews as “ white ” is not to be considered lightly . In “ Blackface , White Noise , " Michael Rogin outlines the complexities of developing a racial identity in America by alluding to a kind of ...
Pagina 34
... identity . Historically contexted , Gershwin was neither black nor white but indefinite , a " Jew " who remade his identity through blackness to reconstitute himself as " white , " just like the blackface minstrels had done to ...
... identity . Historically contexted , Gershwin was neither black nor white but indefinite , a " Jew " who remade his identity through blackness to reconstitute himself as " white , " just like the blackface minstrels had done to ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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Veelvoorkomende woorden en zinsdelen
African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York