Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 2
... interest lies in how American music ( particularly African American music ) both shapes and is shaped by the society - at - large . According to traditional disciplinary strategies , I may either pursue Western musicology , which ...
... interest lies in how American music ( particularly African American music ) both shapes and is shaped by the society - at - large . According to traditional disciplinary strategies , I may either pursue Western musicology , which ...
Pagina 10
... interest in racial passing from black to white began in the nineteenth century , with the number of passing narratives reaching their peak in the early decades of the twentieth century , then gradually tapering off by 1950.10 Some ex ...
... interest in racial passing from black to white began in the nineteenth century , with the number of passing narratives reaching their peak in the early decades of the twentieth century , then gradually tapering off by 1950.10 Some ex ...
Pagina 31
... interest in the Negro is an active and participating interest . It is almost as if a traveler from the North stood watching an African tribe - dance , then suddenly found himself swept wildly into it , caught in its tidal rhythm.16 In ...
... interest in the Negro is an active and participating interest . It is almost as if a traveler from the North stood watching an African tribe - dance , then suddenly found himself swept wildly into it , caught in its tidal rhythm.16 In ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York