Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 17
... jazz - helped to shift American popular music's status from the margins to the center of a new discourse on American national ideology . The white jazz age musicians of the 1920s took the signifiers of blackness and maleness , i.e. ...
... jazz - helped to shift American popular music's status from the margins to the center of a new discourse on American national ideology . The white jazz age musicians of the 1920s took the signifiers of blackness and maleness , i.e. ...
Pagina 24
... jazz performances , much like minstrel shows in the nineteenth century , helped to complicate and bring to the forefront issues of racial identity in music . As it was for blackface minstrel performances , non - black and historically ...
... jazz performances , much like minstrel shows in the nineteenth century , helped to complicate and bring to the forefront issues of racial identity in music . As it was for blackface minstrel performances , non - black and historically ...
Pagina 32
... jazz were at best nebulous in the 1920s , 17 but most recognized it as a distinctly urban montage of musical expressions representing a gamut of American vernacular social experiences . Nearly all of these characterizations imbued the ...
... jazz were at best nebulous in the 1920s , 17 but most recognized it as a distinctly urban montage of musical expressions representing a gamut of American vernacular social experiences . Nearly all of these characterizations imbued the ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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