Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 7
... male sexual prowess . In a somewhat menacing racialized framework , Lott consistently ( over ) eroticizes the black man as " penis " for all working - class antebellum minstrel audiences , and in doing so , he perpetuates the overly ...
... male sexual prowess . In a somewhat menacing racialized framework , Lott consistently ( over ) eroticizes the black man as " penis " for all working - class antebellum minstrel audiences , and in doing so , he perpetuates the overly ...
Pagina 37
... male protagonists , Crown ( a villanous stevedore ) , Sportin ' Life ( a drug - dealing nuisance ) and Porgy ( a disabled beggar ) , is enamored with Bess , but none loves her more deeply or tries harder to make her an honest woman than ...
... male protagonists , Crown ( a villanous stevedore ) , Sportin ' Life ( a drug - dealing nuisance ) and Porgy ( a disabled beggar ) , is enamored with Bess , but none loves her more deeply or tries harder to make her an honest woman than ...
Pagina 66
... male status carry . Ellison considers the fact that in masking , white males " lose that freedom which in the fluid , ' traditionless , ' ' classless ' and rapidly changing society , he would recognize as the white man's alone . " 36 ...
... male status carry . Ellison considers the fact that in masking , white males " lose that freedom which in the fluid , ' traditionless , ' ' classless ' and rapidly changing society , he would recognize as the white man's alone . " 36 ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York