Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
Vanuit het boek
Resultaten 1-3 van 6
Pagina 7
... male sexual prowess . In a somewhat menacing racialized framework , Lott consistently ( over ) eroticizes the black man as " penis " for all working - class antebellum minstrel audiences , and in doing so , he perpetuates the overly ...
... male sexual prowess . In a somewhat menacing racialized framework , Lott consistently ( over ) eroticizes the black man as " penis " for all working - class antebellum minstrel audiences , and in doing so , he perpetuates the overly ...
Pagina 37
... male protagonists , Crown ( a villanous stevedore ) , Sportin ' Life ( a drug - dealing nuisance ) and Porgy ( a disabled beggar ) , is enamored with Bess , but none loves her more deeply or tries harder to make her an honest woman than ...
... male protagonists , Crown ( a villanous stevedore ) , Sportin ' Life ( a drug - dealing nuisance ) and Porgy ( a disabled beggar ) , is enamored with Bess , but none loves her more deeply or tries harder to make her an honest woman than ...
Pagina 66
... male status carry . Ellison considers the fact that in masking , white males " lose that freedom which in the fluid , ' traditionless , ' ' classless ' and rapidly changing society , he would recognize as the white man's alone . " 36 ...
... male status carry . Ellison considers the fact that in masking , white males " lose that freedom which in the fluid , ' traditionless , ' ' classless ' and rapidly changing society , he would recognize as the white man's alone . " 36 ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
1 andere gedeelten niet getoond
Veelvoorkomende woorden en zinsdelen
African American ambiguous American culture American music American popular music analysis appear appropriate argue articulated aspects attempt audiences authentic became become blackface minstrelsy cartoon character characterizations Chicago classical considered context continues copy critical cultural Dan Emmett dance desire difference discourse discuss Disney distinctions early Ellison enabled essay exist experience face fact fascination figures framework George Gershwin Gershwin gestures global Harlem helped identity ideology imitation interest interpretation Ironically jazz Jazz Age Jewish Jews legacy means Mickey Mouse Mickey's minstrel show minstrel tradition musicological Negro never nineteenth nineteenth-century blackface notions opera parody passing perceived performers phenomenon play popular music Porgy and Bess present primitive production race racial Renaissance representation represents Roediger seems sense significant slave social society song sound South speaks stage stereotypes story suggests transformation turn twentieth century University Press Western writes York