Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 20
... meaning , negotiating the space between blackness and whiteness , maleness and femaleness , humanity and beastiality ... meanings can only tell us more about ourselves . His image has been appropriated globally as one that speaks beyond ...
... meaning , negotiating the space between blackness and whiteness , maleness and femaleness , humanity and beastiality ... meanings can only tell us more about ourselves . His image has been appropriated globally as one that speaks beyond ...
Pagina 25
... meaning . Inherent in these approaches is usually a confessional outline of 5 Examples of cross - generic renditions of Gershwin's Porgy and Bess number into the hundreds . A brief listing of choices includes pop vocalist Barbra ...
... meaning . Inherent in these approaches is usually a confessional outline of 5 Examples of cross - generic renditions of Gershwin's Porgy and Bess number into the hundreds . A brief listing of choices includes pop vocalist Barbra ...
Pagina 50
... meaning for borders beyond the Continental , beyond the Western , indeed , beyond our limited , nationalist imaginations . Ironically , Mickey's global commodification has helped reinforce his American image at home ; like so many icons ...
... meaning for borders beyond the Continental , beyond the Western , indeed , beyond our limited , nationalist imaginations . Ironically , Mickey's global commodification has helped reinforce his American image at home ; like so many icons ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York