Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 4
The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's ... tradition is alive and well hidden behind a modern mask . I believe that ... minstrel tradition . However because minstrelsy is a phenomenon cloaked in shame ...
The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's ... tradition is alive and well hidden behind a modern mask . I believe that ... minstrel tradition . However because minstrelsy is a phenomenon cloaked in shame ...
Pagina 15
... culture by white . On another , more telling level , however , the appropriation ... minstrel performers who got their start , ironically , by passing for black ... tradition . Minstrelsy's impact now pervaded vaudeville , Tin Pan Alley ...
... culture by white . On another , more telling level , however , the appropriation ... minstrel performers who got their start , ironically , by passing for black ... tradition . Minstrelsy's impact now pervaded vaudeville , Tin Pan Alley ...
Pagina 27
... minstrel tradition . Crucial to this nexus is the way in which the Gershwin composition exemplifies an early ... tradition of blackface minstrelsy . My aim is twofold : First , to discuss Porgy in terms of its minstrel derivations , and ...
... minstrel tradition . Crucial to this nexus is the way in which the Gershwin composition exemplifies an early ... tradition of blackface minstrelsy . My aim is twofold : First , to discuss Porgy in terms of its minstrel derivations , and ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American ambiguous American culture American music American popular music analysis appear appropriate argue articulated aspects attempt audiences authentic became become blackface minstrelsy cartoon character characterizations Chicago classical considered context continues copy critical cultural Dan Emmett dance desire difference discourse discuss Disney distinctions early Ellison enabled essay exist experience face fact fascination figures framework George Gershwin Gershwin gestures global Harlem helped identity ideology imitation interest interpretation Ironically jazz Jazz Age Jewish Jews legacy means Mickey Mouse Mickey's minstrel show minstrel tradition musicological Negro never nineteenth nineteenth-century blackface notions opera parody passing perceived performers phenomenon play popular music Porgy and Bess present primitive production race racial Renaissance representation represents Roediger seems sense significant slave social society song sound South speaks stage stereotypes story suggests transformation turn twentieth century University Press Western writes York