Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 19
... never wore a blackface . But I am arguing that in composing music that attempts to trope blackness , particularly in his folk opera Porgy and Bess ( 1935 ) , he can be situated within a legacy of blackface passing . My interests lie in ...
... never wore a blackface . But I am arguing that in composing music that attempts to trope blackness , particularly in his folk opera Porgy and Bess ( 1935 ) , he can be situated within a legacy of blackface passing . My interests lie in ...
Pagina 42
... never forget the night when , at a Negro meeting on a remote sea island , George started " shouting " with them . And eventually to their huge delight stole the show from their champion " shouter . " I think that he is probably the only ...
... never forget the night when , at a Negro meeting on a remote sea island , George started " shouting " with them . And eventually to their huge delight stole the show from their champion " shouter . " I think that he is probably the only ...
Pagina 45
... never done before , " quipped Gershwin in one of his typical bombastic press interviews on the developing opera.51 Of its opening , however , critics were less kind , criticizing Gershwin for creating a “ musical hybrid , " as Ralph ...
... never done before , " quipped Gershwin in one of his typical bombastic press interviews on the developing opera.51 Of its opening , however , critics were less kind , criticizing Gershwin for creating a “ musical hybrid , " as Ralph ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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