Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 19
... nineteenth century blackface minstrelsy has affected our twentieth century notions of blackness . It would , of course , be unreasonable to characterize Gershwin as a nineteenth - century blackface minstrel . Not only is it not true ...
... nineteenth century blackface minstrelsy has affected our twentieth century notions of blackness . It would , of course , be unreasonable to characterize Gershwin as a nineteenth - century blackface minstrel . Not only is it not true ...
Pagina 54
... nineteenth as well as the twentieth century , captivated white American audiences , enabling both a fear of and a fascination for most representations of blackness.13 These attitudes seem especially prevalent when examined both from ...
... nineteenth as well as the twentieth century , captivated white American audiences , enabling both a fear of and a fascination for most representations of blackness.13 These attitudes seem especially prevalent when examined both from ...
Pagina 57
... nineteenth century . These desires were propelled in part by the need to evade depression - era realities brought ... nineteenth century blackface minstrelsy , one can draw connections between the popular tropes of the nineteenth century ...
... nineteenth century . These desires were propelled in part by the need to evade depression - era realities brought ... nineteenth century blackface minstrelsy , one can draw connections between the popular tropes of the nineteenth century ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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Veelvoorkomende woorden en zinsdelen
African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York