Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 28
... offers striking similarities to nineteenth - century American minstrel traditions . In the widely popular phenomenon known as blackface , northern white men blackened up their faces with burnt cork and performed what was believed to be ...
... offers striking similarities to nineteenth - century American minstrel traditions . In the widely popular phenomenon known as blackface , northern white men blackened up their faces with burnt cork and performed what was believed to be ...
Pagina 34
... offer up a confluence of unstable intensities , all racially inscribed and socio - economically ascribed to the changing cosmopolitan face of American identity . Historically contexted , Gershwin was neither black nor white but ...
... offer up a confluence of unstable intensities , all racially inscribed and socio - economically ascribed to the changing cosmopolitan face of American identity . Historically contexted , Gershwin was neither black nor white but ...
Pagina 37
... Scandalize My Name : Black Imagery in American Popular Music ( New York : Garland Publishing , 1982 ) , offers cogent interpretations of Porgy and Bess's minstrel stereotypes , 471-73 . from the deep South to " Noo York " in 37.
... Scandalize My Name : Black Imagery in American Popular Music ( New York : Garland Publishing , 1982 ) , offers cogent interpretations of Porgy and Bess's minstrel stereotypes , 471-73 . from the deep South to " Noo York " in 37.
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York