Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 4
... PolyGram Records , Inc , 1992 . 2 One need only recall comedian Ted Danson's parody in blackface performed at the Friar's Club in 1993. See New York Times October 12 , 1993 . 1 these minstrel masks can be central to discussions concerning ...
... PolyGram Records , Inc , 1992 . 2 One need only recall comedian Ted Danson's parody in blackface performed at the Friar's Club in 1993. See New York Times October 12 , 1993 . 1 these minstrel masks can be central to discussions concerning ...
Pagina 57
... parody . They now ballyhooed themselves through the representation of Mickey ; they had become the object of their derision . Mickey's image is inevitably rooted in the blackface minstrel tradition , a fact not readily admitted by ...
... parody . They now ballyhooed themselves through the representation of Mickey ; they had become the object of their derision . Mickey's image is inevitably rooted in the blackface minstrel tradition , a fact not readily admitted by ...
Pagina 65
... parody , the imitation of a peculiar or unique style , the wearing of a stylistic mask , speech in a dead language : but it is a neutral practice of such mimicry , without parody's ulterior motive , without the satirical impulse ...
... parody , the imitation of a peculiar or unique style , the wearing of a stylistic mask , speech in a dead language : but it is a neutral practice of such mimicry , without parody's ulterior motive , without the satirical impulse ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York