Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 26
... past and provides a context for us to understand him and his works in the present . Specifically , I would like to use the reception history of Gershwin's Porgy and Bess to demonstrate how it falls within an American 8 See Hollis Alpert ...
... past and provides a context for us to understand him and his works in the present . Specifically , I would like to use the reception history of Gershwin's Porgy and Bess to demonstrate how it falls within an American 8 See Hollis Alpert ...
Pagina 47
... Past , " as the libretto indicates , the opera itself is without question a relic of its time . As it stands , the reasons for Gershwin trying to capture a " black " sound , that is , for attempting to pass musically , are conjectural ...
... Past , " as the libretto indicates , the opera itself is without question a relic of its time . As it stands , the reasons for Gershwin trying to capture a " black " sound , that is , for attempting to pass musically , are conjectural ...
Pagina 71
... past . In short , the motives behind the mask are as numerous as the ambiguities the mask conceals . " 49 Examining such fascinating relics as our own may hold clues as to how ethnographic disciplines should proceed in the future . My ...
... past . In short , the motives behind the mask are as numerous as the ambiguities the mask conceals . " 49 Examining such fascinating relics as our own may hold clues as to how ethnographic disciplines should proceed in the future . My ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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Veelvoorkomende woorden en zinsdelen
African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York