Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
Vanuit het boek
Resultaten 1-3 van 12
Pagina 12
... perceived to be the natural essence of blackness . Minstrels used their license to appropriate , commodify and emote all they perceived as ' not white ' at the expense of black life . The economic consequences exposed by the ...
... perceived to be the natural essence of blackness . Minstrels used their license to appropriate , commodify and emote all they perceived as ' not white ' at the expense of black life . The economic consequences exposed by the ...
Pagina 15
... perceived experience ) is what made notions of passing so economically beneficial for blackfaced minstrels . Minstrelsy became the most popular music of America , ergo blackface performers were said to be in the ' Negro business , '26 ...
... perceived experience ) is what made notions of passing so economically beneficial for blackfaced minstrels . Minstrelsy became the most popular music of America , ergo blackface performers were said to be in the ' Negro business , '26 ...
Pagina 54
... perceived as the natural essence of blackness . In the 1920s , the era known popularly as the " jazz age , " white musicians like Paul Whiteman and his Orchestra attempted to do the same . In negotiating those spaces , both the ...
... perceived as the natural essence of blackness . In the 1920s , the era known popularly as the " jazz age , " white musicians like Paul Whiteman and his Orchestra attempted to do the same . In negotiating those spaces , both the ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
1 andere gedeelten niet getoond
Veelvoorkomende woorden en zinsdelen
African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York