Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 12
... perceived to be the natural essence of blackness . Minstrels used their license to appropriate , commodify and emote all they perceived as ' not white ' at the expense of black life . The economic consequences exposed by the ...
... perceived to be the natural essence of blackness . Minstrels used their license to appropriate , commodify and emote all they perceived as ' not white ' at the expense of black life . The economic consequences exposed by the ...
Pagina 15
... perceived experience ) is what made notions of passing so economically beneficial for blackfaced minstrels . Minstrelsy became the most popular music of America , ergo blackface performers were said to be in the ' Negro business , '26 ...
... perceived experience ) is what made notions of passing so economically beneficial for blackfaced minstrels . Minstrelsy became the most popular music of America , ergo blackface performers were said to be in the ' Negro business , '26 ...
Pagina 54
... perceived as the natural essence of blackness . In the 1920s , the era known popularly as the " jazz age , " white musicians like Paul Whiteman and his Orchestra attempted to do the same . In negotiating those spaces , both the ...
... perceived as the natural essence of blackness . In the 1920s , the era known popularly as the " jazz age , " white musicians like Paul Whiteman and his Orchestra attempted to do the same . In negotiating those spaces , both the ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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