Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 24
... performances , much like minstrel shows in the nineteenth century , helped to complicate and bring to the forefront issues of racial identity in music . As it was for blackface minstrel performances , non - black and historically non ...
... performances , much like minstrel shows in the nineteenth century , helped to complicate and bring to the forefront issues of racial identity in music . As it was for blackface minstrel performances , non - black and historically non ...
Pagina 28
... performance . Everyone was in on the joke knew that the performers were merely " performing blackness ” — they were ... performances then , symbolic passing from white to black temporarily shifted the minstrels ( and the audiences who ...
... performance . Everyone was in on the joke knew that the performers were merely " performing blackness ” — they were ... performances then , symbolic passing from white to black temporarily shifted the minstrels ( and the audiences who ...
Pagina 73
... performance practices of blackface minstrelsy offered similar opportunities to a degree . The white minstrels ' use of burnt cork , their parody of what white America at that time perceived to be black characteristics , enabled them ...
... performance practices of blackface minstrelsy offered similar opportunities to a degree . The white minstrels ' use of burnt cork , their parody of what white America at that time perceived to be black characteristics , enabled them ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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