Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 15
... performers were said to be in the ' Negro business , '26 which seems also to have been the business of making money . Though it is beyond the scope of this thesis , minstrelsy provided a space for black performers as well to pass : that ...
... performers were said to be in the ' Negro business , '26 which seems also to have been the business of making money . Though it is beyond the scope of this thesis , minstrelsy provided a space for black performers as well to pass : that ...
Pagina 53
... performers . " 10 One minstrel star , Dan Emmett , is said to have learned to play the black style of banjo from a member of what might be called today " poor white trash " , who was in his estimation “ a very ignorant person , and ...
... performers . " 10 One minstrel star , Dan Emmett , is said to have learned to play the black style of banjo from a member of what might be called today " poor white trash " , who was in his estimation “ a very ignorant person , and ...
Pagina 54
... performers and those white performers of jazz - derived music of the 1920s used their license to appropriate , commodify and emote on what they perceived as blackness . In addition to creating an expressive outlet for themselves , they ...
... performers and those white performers of jazz - derived music of the 1920s used their license to appropriate , commodify and emote on what they perceived as blackness . In addition to creating an expressive outlet for themselves , they ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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