Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 5
... popular music studies . It may at first seem odd to envision sound in early twentieth century American music as signifying racialized characteristics . How does one envision " blackness " and " whiteness " presented sonically ? In part ...
... popular music studies . It may at first seem odd to envision sound in early twentieth century American music as signifying racialized characteristics . How does one envision " blackness " and " whiteness " presented sonically ? In part ...
Pagina 23
... popular music . It observes specifically the way in which nineteenth - century blackface minstrelsy powerfully informs the development and experience of popular music in the twentieth century . While the motivations that attribute ...
... popular music . It observes specifically the way in which nineteenth - century blackface minstrelsy powerfully informs the development and experience of popular music in the twentieth century . While the motivations that attribute ...
Pagina 25
... popular music idioms.5 Hugely successful , widely popular , the Gershwin legacy figures most prominently in his grand opera Porgy and Bess ( 1935 ) . It is this piece that I should like to discuss further . On the whole , music ...
... popular music idioms.5 Hugely successful , widely popular , the Gershwin legacy figures most prominently in his grand opera Porgy and Bess ( 1935 ) . It is this piece that I should like to discuss further . On the whole , music ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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