Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 37
... production played out in reverse : At the opera's end , when Porgy mounts his goat - carriage to journey 33 Indeed Sam Dennison , Scandalize My Name : Black Imagery in American Popular Music ( New York : Garland Publishing , 1982 ) ...
... production played out in reverse : At the opera's end , when Porgy mounts his goat - carriage to journey 33 Indeed Sam Dennison , Scandalize My Name : Black Imagery in American Popular Music ( New York : Garland Publishing , 1982 ) ...
Pagina 38
... productions narrated the " Dandy Jim " story during the first half of the show then migrated to the Old South to depict the nostalgic plantation life of “ Jim Crow . " There is even in the opera a reference made that can be linked to ...
... productions narrated the " Dandy Jim " story during the first half of the show then migrated to the Old South to depict the nostalgic plantation life of “ Jim Crow . " There is even in the opera a reference made that can be linked to ...
Pagina 53
... Production and the Social Unconscious of Blackface , " Love and Theft : Blackface Minstrelsy and the American Working Class ( New York : Oxford , 1993 ) , 48 . 12 Ibid . , 50 . real conception of racial difference , showcased most ...
... Production and the Social Unconscious of Blackface , " Love and Theft : Blackface Minstrelsy and the American Working Class ( New York : Oxford , 1993 ) , 48 . 12 Ibid . , 50 . real conception of racial difference , showcased most ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York