Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 8
... provides an interesting analysis of blackface minstrelsy as it spilled out beyond the stage , as a part of festivals and parades . He reminds us that minstrelsy was a people's phenomenon , with its origins in the folk tradition . Like ...
... provides an interesting analysis of blackface minstrelsy as it spilled out beyond the stage , as a part of festivals and parades . He reminds us that minstrelsy was a people's phenomenon , with its origins in the folk tradition . Like ...
Pagina 9
... provides just the sort of theoretical framework that brings these seemingly disparate factors of American minstrelsy into focus . In its inception , the minstrel's imitation of blackness enabled white men to pass temporarily for black ...
... provides just the sort of theoretical framework that brings these seemingly disparate factors of American minstrelsy into focus . In its inception , the minstrel's imitation of blackness enabled white men to pass temporarily for black ...
Pagina 26
... provide an analysis of Gershwin that situates him in the past and provides a context for us to understand him and his works in the present . Specifically , I would like to use the reception history of Gershwin's Porgy and Bess to ...
... provide an analysis of Gershwin that situates him in the past and provides a context for us to understand him and his works in the present . Specifically , I would like to use the reception history of Gershwin's Porgy and Bess to ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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