Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
Vanuit het boek
Resultaten 1-3 van 8
Pagina 8
... provides an interesting analysis of blackface minstrelsy as it spilled out beyond the stage , as a part of festivals and parades . He reminds us that minstrelsy was a people's phenomenon , with its origins in the folk tradition . Like ...
... provides an interesting analysis of blackface minstrelsy as it spilled out beyond the stage , as a part of festivals and parades . He reminds us that minstrelsy was a people's phenomenon , with its origins in the folk tradition . Like ...
Pagina 9
... provides just the sort of theoretical framework that brings these seemingly disparate factors of American minstrelsy into focus . In its inception , the minstrel's imitation of blackness enabled white men to pass temporarily for black ...
... provides just the sort of theoretical framework that brings these seemingly disparate factors of American minstrelsy into focus . In its inception , the minstrel's imitation of blackness enabled white men to pass temporarily for black ...
Pagina 26
... provide an analysis of Gershwin that situates him in the past and provides a context for us to understand him and his works in the present . Specifically , I would like to use the reception history of Gershwin's Porgy and Bess to ...
... provide an analysis of Gershwin that situates him in the past and provides a context for us to understand him and his works in the present . Specifically , I would like to use the reception history of Gershwin's Porgy and Bess to ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
1 andere gedeelten niet getoond
Veelvoorkomende woorden en zinsdelen
African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York