Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 43
... question of " How could a white artist , however compassionate , presume to depict a black nightmare from the inside out ? " is perfectly valid given Porgy and Bess and its minstrel undertones . As a matter of musicological thoroughness ...
... question of " How could a white artist , however compassionate , presume to depict a black nightmare from the inside out ? " is perfectly valid given Porgy and Bess and its minstrel undertones . As a matter of musicological thoroughness ...
Pagina 47
... question a relic of its time . As it stands , the reasons for Gershwin trying to capture a " black " sound , that is , for attempting to pass musically , are conjectural at best . It could be that growing up on the outskirts of Harlem ...
... question a relic of its time . As it stands , the reasons for Gershwin trying to capture a " black " sound , that is , for attempting to pass musically , are conjectural at best . It could be that growing up on the outskirts of Harlem ...
Pagina 72
... question to circumscribe because of our obvious diversity . One tie we share is that we are discursively enmeshed in the webs of race and music . George Gershwin and Mickey Mouse are powerful , iconic American figures who influenced and ...
... question to circumscribe because of our obvious diversity . One tie we share is that we are discursively enmeshed in the webs of race and music . George Gershwin and Mickey Mouse are powerful , iconic American figures who influenced and ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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Veelvoorkomende woorden en zinsdelen
African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York