Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 18
... race , which I perceive not only sociologically but sonically constructed over and through time . To my mind , no ... race " music - early jazz , that is — a context which has allowed them to rise to the distinction they hold so firmly ...
... race , which I perceive not only sociologically but sonically constructed over and through time . To my mind , no ... race " music - early jazz , that is — a context which has allowed them to rise to the distinction they hold so firmly ...
Pagina 27
... race as a social construction of mainstream American society . Rather than viewing racial differences as fixed and permanent markers , current cultural studies scholarship now considers racial identity to be a fluid invention predicated ...
... race as a social construction of mainstream American society . Rather than viewing racial differences as fixed and permanent markers , current cultural studies scholarship now considers racial identity to be a fluid invention predicated ...
Pagina 35
... race , " Jewishness . It does not matter that the nattily dressed Gershwin appeared ambiguous racially because race , in American society , exists beyond its saturation point . And it is as ubiquitous as it is ambiguous . Ironically ...
... race , " Jewishness . It does not matter that the nattily dressed Gershwin appeared ambiguous racially because race , in American society , exists beyond its saturation point . And it is as ubiquitous as it is ambiguous . Ironically ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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