Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 13
... racial difference , showcased most explicitly within the contraditions of fear and fascination . These ambiguities of racial contradictions , both in the nineteenth as well as the twentieth centuries , captivated white American ...
... racial difference , showcased most explicitly within the contraditions of fear and fascination . These ambiguities of racial contradictions , both in the nineteenth as well as the twentieth centuries , captivated white American ...
Pagina 16
... racial impersonation on the minstrel stage turned more covert and introspective as the sounds of blackness became racially masked by the technological advancements of talking pictures and phonographs . What had in the past been an ...
... racial impersonation on the minstrel stage turned more covert and introspective as the sounds of blackness became racially masked by the technological advancements of talking pictures and phonographs . What had in the past been an ...
Pagina 33
... racial identity and the reincarnation of American Jews as “ white ” is not to be considered lightly . In “ Blackface , White Noise , " Michael Rogin outlines the complexities of developing a racial identity in America by alluding to a ...
... racial identity and the reincarnation of American Jews as “ white ” is not to be considered lightly . In “ Blackface , White Noise , " Michael Rogin outlines the complexities of developing a racial identity in America by alluding to a ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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Veelvoorkomende woorden en zinsdelen
African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York