Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 10
... passing breaches the " one drop rule " whereby phenotypical whiteness trumps " biological " blackness : people become what they are not . Seldom raised in the discussion of passing ... racial caste status yet up in terms of “ authenticity , " ...
... passing breaches the " one drop rule " whereby phenotypical whiteness trumps " biological " blackness : people become what they are not . Seldom raised in the discussion of passing ... racial caste status yet up in terms of “ authenticity , " ...
Pagina 16
... racial passing became an even more distanced representation of blackness articulated in sound . These distanced representations of blackness might be envisioned to be what cultural historian Michael Taussig calls " the power of the copy ...
... racial passing became an even more distanced representation of blackness articulated in sound . These distanced representations of blackness might be envisioned to be what cultural historian Michael Taussig calls " the power of the copy ...
Pagina 74
... passing and blackness as well as the music's role in both configurations . From there I ventured to theorize notions of racial passing which would encompass a realm of musical passing . In this reading one might pass for black ( and ...
... passing and blackness as well as the music's role in both configurations . From there I ventured to theorize notions of racial passing which would encompass a realm of musical passing . In this reading one might pass for black ( and ...
Inhoudsopgave
in the American Racial Identity | 4 |
Chapter | 19 |
the American Minstrel and Global Signifier | 49 |
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Veelvoorkomende woorden en zinsdelen
African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York