Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 11
... that the participation in blackface passing in minstrelsy further strengthened racist 12 American Heritage Dictionary denotation of " pass for . " ideologies by separating whites from those characteristics which they presumed 11.
... that the participation in blackface passing in minstrelsy further strengthened racist 12 American Heritage Dictionary denotation of " pass for . " ideologies by separating whites from those characteristics which they presumed 11.
Pagina 59
... racist overtones . Whether the intentions are overtly racist or not , however , each representation of the blackface is an articulation of difference situated within a context of ' otherness . ' Both Mickey and the blackface minstrel ...
... racist overtones . Whether the intentions are overtly racist or not , however , each representation of the blackface is an articulation of difference situated within a context of ' otherness . ' Both Mickey and the blackface minstrel ...
Pagina 63
... racist perceptions , gains access to the freedom of sentimentality through Mickey's vivid interpretations of ' Topsy ' and ' Uncle Tom . ' The cartoon aptly opens to a orchestral rendition of the minstrel chorus to " Dixie " ( “ Oh , I ...
... racist perceptions , gains access to the freedom of sentimentality through Mickey's vivid interpretations of ' Topsy ' and ' Uncle Tom . ' The cartoon aptly opens to a orchestral rendition of the minstrel chorus to " Dixie " ( “ Oh , I ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York