Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 11
... that the participation in blackface passing in minstrelsy further strengthened racist 12 American Heritage Dictionary denotation of " pass for . " ideologies by separating whites from those characteristics which they presumed 11.
... that the participation in blackface passing in minstrelsy further strengthened racist 12 American Heritage Dictionary denotation of " pass for . " ideologies by separating whites from those characteristics which they presumed 11.
Pagina 59
... racist overtones . Whether the intentions are overtly racist or not , however , each representation of the blackface is an articulation of difference situated within a context of ' otherness . ' Both Mickey and the blackface minstrel ...
... racist overtones . Whether the intentions are overtly racist or not , however , each representation of the blackface is an articulation of difference situated within a context of ' otherness . ' Both Mickey and the blackface minstrel ...
Pagina 63
... racist perceptions , gains access to the freedom of sentimentality through Mickey's vivid interpretations of ' Topsy ' and ' Uncle Tom . ' The cartoon aptly opens to a orchestral rendition of the minstrel chorus to " Dixie " ( “ Oh , I ...
... racist perceptions , gains access to the freedom of sentimentality through Mickey's vivid interpretations of ' Topsy ' and ' Uncle Tom . ' The cartoon aptly opens to a orchestral rendition of the minstrel chorus to " Dixie " ( “ Oh , I ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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