Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
Vanuit het boek
Resultaten 1-3 van 16
Pagina 62
... represented a caricature rather than an authentic representation ( if such is even determinable ) . Mickey Mouse , then , takes this equation one step further : he represents a copy of a copy , or more boldly stated , a caricature of a ...
... represented a caricature rather than an authentic representation ( if such is even determinable ) . Mickey Mouse , then , takes this equation one step further : he represents a copy of a copy , or more boldly stated , a caricature of a ...
Pagina 69
... represent [ ed ] " 45 rather than simply represented to an audience made up of more people like ourselves ; that we initiate a process of self - discovery by " turning beyond one's familiar world to learn something about oneself by ...
... represent [ ed ] " 45 rather than simply represented to an audience made up of more people like ourselves ; that we initiate a process of self - discovery by " turning beyond one's familiar world to learn something about oneself by ...
Pagina 71
... represents more than his appearance , he holds a loaded image . Like a " new god , " Mickey represents a sign of the times , there's a lot of the mouse in us . Mickey represents masking at its finest . " We wear the mask , " says ...
... represents more than his appearance , he holds a loaded image . Like a " new god , " Mickey represents a sign of the times , there's a lot of the mouse in us . Mickey represents masking at its finest . " We wear the mask , " says ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
1 andere gedeelten niet getoond
Veelvoorkomende woorden en zinsdelen
African American ambiguous American culture American music American popular music analysis appear appropriate argue articulated aspects attempt audiences authentic became become blackface minstrelsy cartoon character characterizations Chicago classical considered context continues copy critical cultural Dan Emmett dance desire difference discourse discuss Disney distinctions early Ellison enabled essay exist experience face fact fascination figures framework George Gershwin Gershwin gestures global Harlem helped identity ideology imitation interest interpretation Ironically jazz Jazz Age Jewish Jews legacy means Mickey Mouse Mickey's minstrel show minstrel tradition musicological Negro never nineteenth nineteenth-century blackface notions opera parody passing perceived performers phenomenon play popular music Porgy and Bess present primitive production race racial Renaissance representation represents Roediger seems sense significant slave social society song sound South speaks stage stereotypes story suggests transformation turn twentieth century University Press Western writes York