Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 19
... seems to me that Gershwin's gesture of symbolic blackness was meant to creatively and economically capitalize on the perceived difference blackness evoked in 1930s American culture . More importantly , as far as Gershwin is concerned ...
... seems to me that Gershwin's gesture of symbolic blackness was meant to creatively and economically capitalize on the perceived difference blackness evoked in 1930s American culture . More importantly , as far as Gershwin is concerned ...
Pagina 69
... seem to arouse problematic issues of incompleteness on its own , when conjoined they serve to complement and enhance each other , allowing for greater insight both into historical perspectives ... seems that musicology's recent critical 69.
... seem to arouse problematic issues of incompleteness on its own , when conjoined they serve to complement and enhance each other , allowing for greater insight both into historical perspectives ... seems that musicology's recent critical 69.
Pagina 74
... seem to embody the type of ambiguity , musicality , and status in American culture that best seizes the everyday reality of American racial tension , while equally seeming to obfuscate it . In as much , it seems that both figures help ...
... seem to embody the type of ambiguity , musicality , and status in American culture that best seizes the everyday reality of American racial tension , while equally seeming to obfuscate it . In as much , it seems that both figures help ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York