Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 19
... Mouse , the issues are different , but no less significant . Chapter Twos " There's a lot of the Mouse in Me ' : Mickey Mouse , the American Minstrel 31 Gubar , 5 . and Global Signifier , " conveys Mickey as much greater 19.
... Mouse , the issues are different , but no less significant . Chapter Twos " There's a lot of the Mouse in Me ' : Mickey Mouse , the American Minstrel 31 Gubar , 5 . and Global Signifier , " conveys Mickey as much greater 19.
Pagina 26
... significant work . The thrust of my essay will be critical and historiographic : I will use writings about Gershwin to illuminate my interpretation of his music . Moreover , my essay will attempt to provide an analysis of Gershwin that ...
... significant work . The thrust of my essay will be critical and historiographic : I will use writings about Gershwin to illuminate my interpretation of his music . Moreover , my essay will attempt to provide an analysis of Gershwin that ...
Pagina 50
... significance of his ' Americanness . ' Mickey's image expresses a kind of postmodern pastiche that assumes the role of transnational global signifier . Updike relays Mickey's significance in this way : Like yin and yang , like the ...
... significance of his ' Americanness . ' Mickey's image expresses a kind of postmodern pastiche that assumes the role of transnational global signifier . Updike relays Mickey's significance in this way : Like yin and yang , like the ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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Veelvoorkomende woorden en zinsdelen
African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York