Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 11
... simply substituting terms ( e.g. , black for white ) in relation to passing , however , my reversal of passing's trajectory shifts its context and confirms that passing provided its white participants ( its actors and consumers ) with a ...
... simply substituting terms ( e.g. , black for white ) in relation to passing , however , my reversal of passing's trajectory shifts its context and confirms that passing provided its white participants ( its actors and consumers ) with a ...
Pagina 16
The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey Mouse Maya C. Gibson. 1 1 1 1 they simply became more American , reacting strongly against highbrow.
The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey Mouse Maya C. Gibson. 1 1 1 1 they simply became more American , reacting strongly against highbrow.
Pagina 24
... simply became more American , reacting strongly against highbrow cultural distinctions of a European classical music canon while simultaneously intensifying the belief in a nationalist and racialized sound in music . To my mind , no ...
... simply became more American , reacting strongly against highbrow cultural distinctions of a European classical music canon while simultaneously intensifying the belief in a nationalist and racialized sound in music . To my mind , no ...
Inhoudsopgave
in the American Racial Identity | 4 |
Chapter | 19 |
the American Minstrel and Global Signifier | 49 |
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Veelvoorkomende woorden en zinsdelen
African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York