Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 9
... social transaction to occur . Thus , the music of blackface minstrelsy left its indelible mark on the legacies of American race - relations and on popular music across the twentieth century . Its significance contains a plethora of ...
... social transaction to occur . Thus , the music of blackface minstrelsy left its indelible mark on the legacies of American race - relations and on popular music across the twentieth century . Its significance contains a plethora of ...
Pagina 27
... social construction of mainstream American society . Rather than viewing racial differences as fixed and permanent markers , current cultural studies scholarship now considers racial identity to be a fluid invention predicated both by ...
... social construction of mainstream American society . Rather than viewing racial differences as fixed and permanent markers , current cultural studies scholarship now considers racial identity to be a fluid invention predicated both by ...
Pagina 47
... social circumstance . Though set in " The Recent Past , " as the libretto indicates , the opera itself is without question a relic of its time . As it stands , the reasons for Gershwin trying to capture a " black " sound , that is , for ...
... social circumstance . Though set in " The Recent Past , " as the libretto indicates , the opera itself is without question a relic of its time . As it stands , the reasons for Gershwin trying to capture a " black " sound , that is , for ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York