Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 9
... social transaction to occur . Thus , the music of blackface minstrelsy left its indelible mark on the legacies of American race - relations and on popular music across the twentieth century . Its significance contains a plethora of ...
... social transaction to occur . Thus , the music of blackface minstrelsy left its indelible mark on the legacies of American race - relations and on popular music across the twentieth century . Its significance contains a plethora of ...
Pagina 27
... social construction of mainstream American society . Rather than viewing racial differences as fixed and permanent markers , current cultural studies scholarship now considers racial identity to be a fluid invention predicated both by ...
... social construction of mainstream American society . Rather than viewing racial differences as fixed and permanent markers , current cultural studies scholarship now considers racial identity to be a fluid invention predicated both by ...
Pagina 47
... social circumstance . Though set in " The Recent Past , " as the libretto indicates , the opera itself is without question a relic of its time . As it stands , the reasons for Gershwin trying to capture a " black " sound , that is , for ...
... social circumstance . Though set in " The Recent Past , " as the libretto indicates , the opera itself is without question a relic of its time . As it stands , the reasons for Gershwin trying to capture a " black " sound , that is , for ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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